Alan
Paton was born in Pietermaritzburg a few months after
the Anglo-Boer War had ended. There was still a strong
animosity between Boer and Brit. His parents were
English, but held comparatively liberal political views
and taught their children that Afrikaners had a right to
preserve their own culture. Paton was educated at a high
school for white boys, Maritzburg College in
Pietermaritzburg, and then Natal University, where he
majored in math and physics. At the university he not
only gained an education, but also broadened his
understanding of Afrikaners, Blacks, Indians and
Coloureds (persons of mixed ancestry). He was especially
active in the Student Christian Association, a society
dear to Paton’s hero, the South African political leader
Jan Hofmeyr. Unlike Paton, Hofmeyr was of Boer descent,
but he urged his fellow Boers to abandon bitter memories
and to work for the good of all South Africans. As a
young man Paton also learned to speak both Afrikaans and
Zulu.
In 1925 Paton began teaching at the white high school in
Ixopo. (His love of the area shows in Cry, the Beloved
Country, from the first two sentences on). While
teaching in Ixopo, Paton met Doris Olive Francis, whose
husband was ill with tuberculosis. In 1928, three years
after her husband died, she and Paton were married. The
newly married couple moved to Pietermaritzburg so that
Paton could take a more promising job at his old high
school. Six years later he suffered a severe attack of
typhoid and was hospitalized for more than two months.
During his recuperation he decided he didn’t want to
spend the rest of his life teaching the sons of the
rich. By that time Jan Hofmeyr was Minister of
Education, so Paton asked his advice. Hofmeyr and the
Prime Minister, Jan Christian Smuts, had just gotten
three reformatories for delinquents under age 21
transferred from the justice department to the ministry
of education. Hofmeyr advised his friend to apply for
the job of warden at all three places. Paton did apply,
despite his lack of experience in the criminal justice
system, and was appointed in 1935 as warden of Diepkloof
Reformatory for African Juvenile Delinquents, a grim
place outside Johannesburg enclosed by a barbed-wire
stockade. Even Hofmeyr said, “It is hard to know what
can be done with it,” but Paton was excited - at the age
of 32 he’d been given a prison to turn into a school.
Like the young white man from the reformatory in "Cry,
the Beloved Country", he felt he had a chance to change
the lives of young blacks. It held 400 boys (later more
than 600), mostly blacks of the Xhosa ethnic group. He
was appalled at the joyless atmosphere, and, every
morning, at the stench. After supper and a full workday
on the prison farm, the boys were locked up for 14
hours. Given a free hand, Paton transformed Diepkloof.
His changes brought some joy to the place,
eliminated
the morning stink, and also ended the typhoid outbreaks
that had previously caused many deaths. When World War
II broke out in 1939, Paton tried to enlist in the South
African army, but education officials considered him too
valuable to let go. By the time the war ended in 1945,
Paton was considered an authority on criminal
rehabilitation, but he wondered how other countries ran
penal institutions for the young. To find out, he
financed an eight-month study trip.
He didn’t leave home with the intention of writing a
novel while travelling. What started him off, that
September afternoon in Norway, was a tour of the
cathedral of Trondheim. The beauty of its famous rose
window made him yearn to write about his beautiful
homeland and its people. As Paton explains in an
Author’s Note to "Cry, the Beloved Country", it was in San
Francisco that friends read his manuscript and started
contacting publishers. The book was first published in
New York in early 1948. The novel sold well both in
North America and in Great Britain. It was soon
translated into some 20 languages, and made into a film
in England (1952) and a musical in the United States
("Lost in the Stars", 1949). The South African edition,
dedicated to Jan Hofmeyr, came out three months before
Hofmeyr’s death at age 54 in December 1948. Book sales
in South Africa were second only to those of the Bible,
and Paton became famous. Critic James Stern in the New
Republic called it “one of the best novels of our time.”
And Orville Prescott, The New York Times book reviewer,
wrote in the Yale Review that:
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“Paton’s novel was the finest I have ever read
about the tragic plight of black-skinned people
in a white man’s world.” |
Another event of importance to the Patons also occurred
in 1948 - the coming to power of the Nationalist Party,
pledged to separation of the races in every sphere of
life. At Diepkloof the Patons had ignored people’s
colour
in forming friendships, and they could not endure the
new government’s opposition to interracial association.
With the success of his novel making Paton influential,
he planned to become a full-time writer, but was drawn
into the political arena. He was the first president of
the Liberal Party of South Africa, which was founded in
1953 and forced to disband in 1968. For the next 15
years Paton’s life was dominated by activities of the
racially mixed party, by writing plays for multiracial
casts and audiences, and by political writing and
speaking.
One play, "Mkhumbane", drew packed houses in
Durban City Hall in 1960 - at a time when peaceful black
protest against Apartheid at Sharpeville and Cape Town
was dealt with extremely harshly by the government. For
his work on behalf of the people of South Africa and
against the evils of apartheid, Paton has received
international recognition. In 1960 he received the
Freedom Award from Freedom House. His second novel, "Too
Late the Phalarope", appeared in 1953. He published a
variety of books, and articles.
Paton was a public
figure, hated by the Apartheid government (though it
later tried to befriend him), but admired by many in
South Africa and abroad. He received numerous awards and
honorary degrees. Those caught up in militant resistance
politics in the last two decades of the apartheid era
tended to distrust his reconciliatory attitude, but
after the big political changes in 1990 (two years after
his death at home in Lintrose, Natal) his approach was
generally accepted. Much of what he believed in is now
enshrined in South Africa's Bill of Rights. |