Herman
Charles Bosman was a South African writer and journalist
who became famous for capturing the rhythms of backveld
Afrikaans speech even though he wrote in English. He is
widely regarded as the greatest short-story writer to
come out of South Africa. His books are unsurpassed in
the field of South-African literature. Shortly after his
birth, his family moved from Kuilsrivier to Johannesburg
where he was educated. He was deeply absorbed in
literature, excelled in languages, was repelled by
Science and Mathematics and in his matriculation
examination he answered the paper on Algebra with a
beautifully phrased essay, explaining that he felt he
might dispense with the knowledge of this subject since
his ability in English was exceptional.
Apart from contributing to the school magazine, he was,
at the age of 16, writing a series of amusing short
stories for the Sunday Times. He preferred the school
library to the playing fields. At the University of the
Witwatersrand, on winning the third prize for his entry
in a student's poetry competition, he revealed that the
piece had actually been written by Shelley.
On receiving his degree, Bosman was appointed to a
teaching post in the Groot Marico district. A most
fruitful year, for the place and the people enthralled
him - they provided him with the background for his
best-known works, the "Oom Schalk Lourens" and "Voorkamer"
sketches. On his return to Johannesburg for the June
holidays, his visit ended in catastrophy in the house of
his mother and stepfather when he fired a hunting rifle
at his stepbrother and killed him.
Bosman was sentenced to death, but later a reprieve was
granted and at the age of 21 he was sentenced to 10
years imprisonment with hard labour. He was, however,
released after four and a half years. His prison
experiences provided the background for the moving and
wryly humorous stories in "Cold Stone Jug" and it was
while he was in prison that he wrote his first "Oom
Schalk Lourens" stories. Released on parole in 1930, he
plunged into writing stories and poetry, using the
nom-de-plume "Herman Malan". He started his own printing
press and associated with a colourful group of
journalists and authors in Johannesburg. He also edited
a number of transient magazines, but his often
incautious style involved him in several libel suits. He
divorced his first wife and married Ella Manson, and the
couple became known for their bohemian lifestyle and
wild parties.
At this time he translated the "Rubayat of Omar Khayam"
into Afrikaans. In 1947, after "Mafeking Road" was
published, the stories were broadcast on the B.B.C.
under the auspices of the South African poet, Roy
Campbell, who considered them to be the best stories
ever to come out of South Africa. These stories were
ingrained with an acute irony, interspersed with caustic
humour. He describes the deep rural world Afrikaner from
the beginning of the 20th century, using very South
African English flavoured with the occasional Afrikaans
word. The force of the style of Bosman lies in the
unexpected outcome of the story, which thwarts the
expectations of the reader. Sometimes this reversal
takes place in the last line.
Johannesburg's bars feature prominently in several of
Bosman's short stories. In "Underworld", the bar is in
Fordsburg. The bar counter is described as "an oval
island afloat on a vast sea of thirst". Bosman's city
bars have all but vanished. The journalist would drink
Chateau Libertas with the artist Gordon Vorster at the
old Langham Hotel, also gone. Vorster lived a stone's
throw away from the "Sydney", at the East London Hotel,
and the pair would often drink in the ladies bar.
Bosman and Vorster were a couple of hell-raisers. One of
the pair's most outrageous stunts was the abortive
compilation of an anthology of English South African
poetry. The selection criteria, made in various city
bars over many beers, were idiosyncratic to say the
least. A contribution titled "Pissed in Gaza" would be
accepted on its title alone, while more conventionally
titled work would be rejected out of hand.
Uys Krige, a giant of local literature, got the full
Bosman treatment by letter:
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"Liewe Uys, Ek het baie siek gewees met die
griep. Hoe gaan dit met jou? Hierdie gedig is
sommer 'n klomp kak. Jou vriend, Herman." (Dear
Uys, I have been very sick with 'flu. How are
you? Your poem is a load of shit. Your friend,
Herman.) |
Bosman was a great party-giver and his parties were
famous for the brilliant and witty conversation which
went on far into the night. Two days after a
housewarming party he was taken ill with severe chest
pains. His wife took him to Edenvale Hospital. On
arrival he was asked, "Place of birth?" Herman replied,
"Born Kuilsrivier - Died Edenvale Hospital."
A few minutes after he entered the examination room, the
doctor could be heard laughing. Bosman came out of the
room and told his wife he had indigestion. A few hours
later he collapsed at home. He died as he was being
wheeled back into Edenvale Hospital. The date was the
14th of October, 1951.
South African poet and author, Lionel Abrahams, observes
that:
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"Bosman had invoked in me, along with attitudes
to the country as a whole, a special local
patriotism." |
Film maker and author Johnny Masilela said:
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"It will be a tragedy for the creative process
if we parents, both black and white deny our
children the opportunity to read Bosman with his
very wry sense of humour." |
'Hey, you!' says the sunflower to the sun
Just like that,
In tones of mockery,
'Hey, you!
Where's your stem?'
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